Central to my practice is drawing—a reflective portrayal of my daily encounters. My emotions manifest as shapes, colours, and textures, bridging the gap between thoughts and execution. These drawings embody emotions, inviting viewers to engage with my intimate narratives. I explore cycles: the commodification of personal experiences and their transformation into broader concepts, echoing William Morris's ideas. My work evolves from sketches to paintings, eventually sculptural forms, capturing emotions and sensations. Embracing incompleteness, I resist erasing traces of my creative process, maintaining authenticity. I employ Hanji paper, absorbing layers of mulberry pulp, and vibrant pigments, contributing to my Korean root. In my journey, personal experiences converge into a visual language, challenging norms, and fostering connections, inviting viewers to delve into intricate narratives.